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People
with special powers, called Others, are warriors in the eternal
battle between Light and Dark, good and evil. For 1000 years a
truce has held between them. Light Others, called the Night Watch,
police the Dark Others to enforce the truce, and Dark Others called
the Day Watch police the Light. Each Other must choose either
the side the Light or the Dark. However, some day a Great Other
will be born, and his choice will tip the balance between the
two sides and herald the Apocalypse.
Now,
that sounds like some typical cheesy swords and sorcery crappola,
but it's completely misleading. Night Watch is actually
a fresh and weird supernatural apocalypse tale set in modern Moscow.
This movie was terrifically popular in Russia when it came out,
and inspired the fierce derision of various intellectuals for
adopting Hollywood style slickness and CGI effects. (Apparently
Russian intellectuals think all movies should be like Solaris,
which ... well, it is an absolutely brilliant and riveting exploration
of the nature of memory, experience and what it means to be human,
and is also widely acknowledged to be the most boring movie ever
made.) That criticism is true to some extent - Night Watch
clearly owes a lot of its look to slick high-budget US action
films (this is the director who would give us an entire movie
about nothing more than Angelina Jolie shooting curveball bullets,
after all). However, there is some real imagination, and a nice
dark sense of humor, that makes this film really fun to watch.
We
start with Anton, in Moscow in 1992, who has gone to a witch to
lure back his wife, who has left him for a lover. The witch tells
him that his wife is pregnant, the child isn't his, and even if
she comes back to him the child will always pull her away. However,
killing an innocent is a serious sin, and she will only do it
if Anton agrees to take responsibility for the sin on himself.
Taking none of this seriously, Anton agrees, but thinks better
of it as the witch casts her spell. Suddenly, strange things start
to happen, and a group breaks into the apartment to arrest the
witch. They are the Night Watch, and Anton can see them because
he, too, is an Other, a seer who can catch snippets of the future.
12
years later, Anton is also a vampire (he's apparently a pretty
crappy seer and his visions aren't good enough for field work)
and an agent for the Night Watch, tracking a Dark vampire who
is luring a boy to feed on him (without a license). Who is this
boy and why do the Dark Others want him? Why does Anton feel compelled
to protect him? And what does the sad, cursed girl with a vortex
of damnation swirling about her have to do all of this?
The
plot develops impressionistically, seeming disconnected and a
bit confusing, rather like a lot of Asian horror. Unlike most
Asian horror, it does all get tied up (semi) sensibly in the end,
and, as you can tell from the set up, the general concept (supernatural
beings engage in battle between good and evil) is hardly new.
But the plot and characters are, to my Western eyes at least,
weird and unexpected as they develop. One thing I appreciate more
than just about anything else in a horror movie is the ability
to surprise me. Combine this with a refreshingly black world-view
(Russian stories don't have happy endings, I've been told), and
you've got a nice change of pace.
8
out of 10
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